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After last Friday's Meat Puppets show, their annual fall visit to Phoenix's Crescent Ballroom, I went up and introduced myself to the two tapers in the process of packing their gear. But I gave them my email address, promising not to upload anything if they sent me a copy. I also garnered from them probably the only honest appraisal I was gonna get of my Athens Georgia Hookup Free Artwork Downloads Angels And Demons except from my wife's, of course.
Curt and I had spoken briefly the night before the show. I showed up at sound check for a run through. In between, we planned to trowel in copious amounts of space, which was the true purpose of the exercise anyway.
We ran though it twice. As I said to Cris after the rehearsal, if we pretend we are enjoying ourselves, the audience should go along with us. I felt a little foolish up there, playing such a strange, sloppy piece, especially after I witnessed the powerful noise jam which closed their show. I'm sure our little display went over the heads of most of the crowd. Why did we add lyrics about garbage to the Partridge Family Theme? Oh, it's a Charles Manson song?? That's weird, I guess Though I had't spoken to him over two decades, Gary always had a special place in my heart.
Of all the original Phoenix crew, Gary embraced the Meat Puppets most tightly. He got us right away, even asked to jam with us, something we did a half dozen times in the early eighties.
You can really hear our mutual affinity on the recordings we produced at the time. Gary was brilliant and hilarious. His seat-of-the-pants approach to improvisation inspired everyone who heard it, especially the Meat Puppets.
Gary's example provided the template that we emulated our entire career. The Puppets continue to improvise during their shows, but it's a very different sort from back in the old days. With powerful young players like Shannon and Elmo at the ready, the band can take a delicate song like "Up On The Sun" and give it a real throttling. Theirs
Athens Georgia Hookup Free Artwork Downloads Angels And Demons a very controlled, well rehearsed product.
But when I think of my own struggles as a musician, I'm most proud of the chances I took. My style not only allowed for the possibility of failure, it practically ensured it. But this approach gave me confidence.
Sometimes it's as much about the willingness to take the journey as it is about the journey itself. You've got to take the risk.
Sometimes you even have fight for your right to fail. Thinking about Gary makes me feel good about our shambolic tribute the other night which was actually fantastic, tapers be damned.
What better way to honor to such agents of chaos as Keith Partridge and Charles Manson? After all, as another famous puppet once said, "there is no try I must have gotten the tube with the paraquat in it, because my head is just now starting to clear.
The tubes were everywhere! And foolishly, I accepted one. Here, everything was chaos. I began to panic. Where are Cris and Curt? Where is the set list? How do we get to the stage? Is someone going to come and find us? And suddenly I got it. But in the actual moment, the magic asserted itself with an authority that took my breath away. I relaxed, joined the audience and just enjoyed the show, letting the music do most of the work.
But for us, it was a Puppets show. We took our time, rediscovering one another and exploring old connections. Later, they told me the stage was rotating, but I never noticed. They also told me that lots of people had tears in their eyes. I learned things about the Meat Puppets that I had either forgotten or never knew.
Trying to put it into words would be a ridiculous, futile exercise. It always used to bug me how cross they would get whenever I would intrude upon them with details right before we went on. Somehow, it never occurred to me how little any of that stuff really mattered. I took the easy way out. I get money deposited to my bank account twice a month. To me, it was always about wresting back control of my life.
I guess what I learned at the show is just how much you can let go and still leave plenty of room for what really counts. Now that the fair is moving on and the Puppets are off to the next gig, I wanted to thank everyone for the nice wishes, both from the social media and from those of you I saw in person Thursday night. It was a wonderful night for everyone who remembers the Phoenix scene from back in the day.
But it was also bittersweet for a lot of us. There was a time when going out every other weekend to see your friends play cool gigs was a regular part of life. But you get busy, and life goes on. And now it's really sinking in just how special those days really were. And now -- fuck -- we've all gotta go back and get busy with our lives. Once the weird sloppy energy of our first album was behind us, the Meat Puppets worked hard to polish our studio chops.
The warm response to "Up On the Sun" rewarded our efforts. The album exposed us to a wider audience and cemented our place in the echelon of American indie bands. But if we thought we'd spend basking in the glory of our breakthrough release, we were in for rude surprise.
Before we knew it, the media trained its microscope on us. Even popular groups like the Replacements and R. We noodled too much between songs, futzed with our equipment and argued over what to play.
We peppered our performances with insults and in-jokes. We played more classic rock covers than we did our own songs. Meanwhile, the casual fan coming to hear "Swimming Ground" ran for the exit. The question now asserted itself: Would we insist upon staying true to ourselves?
Or would we smarten up and knuckle under to the wiser forces of the market? We began to worry that we might be blowing it.
Athens Georgia Hookup Free Artwork Downloads Angels And Demons was a painful notion for us to face, and an even tougher one to face down. The year was filled with self-recrimination, second-guessing and finger-pointing. As we fought our demons in the trenches, audiences slowly began to take up our cause.
Most in the mainstream Athens Georgia Hookup Free Artwork Downloads Angels And Demons considered us too raw for the great unwashed masses. And perhaps they were right -- the audio evidence here speaks for itself. I only kept my favorite bits of our live recordings back then; few complete shows survive.
But what remains is a pretty accurate record of how hard we worked. After a year of constant touring, we still took a lot of chances on stage, but we also learned to take fewer casualties.
As word spread about our unpredictable stage shows, we started to develop a reputation we could be proud of. The Meat Puppets started as a punk rock cover band, but the Kirkwoods themselves had no real attachment to the genre. Curt and Cris were feral enough for punk, but their idea of rebellious music in those days was closer to the roster of the ECM jazz label. In contrast, I saw myself as nothing less than the Svengali of a punk rock super group.
The power I heard in the band was unmistakable, even when we played Iggy Pop oldies. I knew we were on to something. My friend Darrell was getting into pro audio around the same time. He had a high quality cassette deck, a mixing console and a couple decent mikes. One weekend when his parents were out of town, I talked him into letting us set up a makeshift home studio in his living room.
While we improvised, Darrell twiddled the reverb and echo knobs. Our buddy Jeff joined me on vocals. The finished product was muddy with effects but dense with stinky psychedelic energy. As cool as that session was, it was too experimental to be representative. I wanted a proper "demo" we could use to get gigs.
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